Blevin Blectum, Thomas Dimuzio, Quivering Lip, MAL SED
Thurs July 13 8pm -11pm - Peacock Lounge, 552 Haight, San Francisco
All-ages, $5-$15 no one turned away for lack of funds.
Please rapid-test day of show, keep each other healthy - it's def still out there and u don't wanna catch it!

Blevin Blectum
Sci-fi fantasy in its most decadent technicolor forms fuels the journey of OMNII, Blevin Blectum's latest solo adventure. The soundtrack to a lost space opera to fit perfectly in the gaps between Barbarella, The Beast in Space, and Planet of the Vampires. Blevin Blectum is half of the duo Blectum From Blechdom, who recently returned from deep space hibernation with their album 'Deep Bone', also on Deathbomb Arc
https://deathbombarc.bandcamp.com/album/omnii

Thomas Dimuzio
This is the wizard the land of Oz wished for, boundless, benemalevolent, shrouded in torrents of sound, daring lions to speak and machines to feel. Come set your straw brains alight to melt your metal heart as your furry ears purr and yowl. Innovative techniques of sound synthesis, signal processing, custom crossfade looping and algorithmic mixing fuel this synergy of man and machine. Since the 1980's he has performed and recorded with Fred Frith, David Lee Myers, Dan Burke, Due Process, 5UU'S, Matmos, and Negativland. Dimuzio also operates the Gench recording studio and record label where he's recently been busy mastering all those sci-fi and horror soundtracks for Waxwork Records!

Quivering Lip
Direct unembellished and bare, there's no hiding behind convention... well other than amplification. Harsh noise happens. Coming all the way from Portland to San Francisco to turn ten minutes of your life into an indelible sensation, scar, or whatever, this won't be some leisurely exploration so be inside the Peacock Lounge by 8pm.
https://quiveringlipnoise.bandcamp.com/
https://www.instagram.com/quivering_lip/

MAL SED
Péter Lamons and Matt Parchinski are masters of the cheap synth, sampler, guitar pedal nexus. Their constraints fosters intensely focused attention, an economy of elements and inspired choices that spawn a surprisingly endless set of musical possibilities. We can only conclude that it's not the instruments at all, but somehow the musicians. Go figure.